I work in higher education. I have worked in an university ever since I’ve graduated and I still believe it’s a special place. Not in the sense of the elitist ivory tower but as an institution with a special mission and a civic, therefore, inclusive role.
Today I am attending a public conference on the diagnosis of the Portuguese research and innovation system: a SWOT analysis on the path to 2020. No new and foreign sounding concepts and ideas, and yet I feel like the Emma Bovary of higher education. Staring reality in disbelief and clinging somewhat desperately to my own romantic ideas of the University.
This dress is also part of my free-spirited, extravagant fantasy. Last I’ve worn it I was staying at the Hotel Reina Cristina in Algeciras. At that time the dining room dress code was,I guess, long gone.
Opened in 1901 and said to be the oldest hotel in southern Spain, the Reina Cristina counts as signed guests with the likes of Ava Gardner, Orson Wells, Federico Garcia Lorca and a young journalist covering the Algeciras Conference of 1906, called Winston Churchill.
Algeciras is not an obvious choice as far as Spanish holidays go, you can’t really say is beautiful in any conventional way but it does have the appeal of transition places and of the once grand and mysterious settings of history. And history certainly does not leave you alone around here.
Algeciras is also the birth place of the grand, the absolute master of Flamenco guitar Paco de Lucia. I first saw him live in 1990 in a show I was invited to by some friends of my parents, I was bewitched. Forever, I guess. My lust for southern Spain is forever connected to that wanting to repeat that feeling of being alive through that music.
|image via thecoincidentaldandy.blogspot.com|
Today I’ve added a Mexican embroidered waistcoat that a Spanish sound engineer friend brought me back from a tour of Mexico ages ago. I suppose he had bought it for himself but ended up giving it to me on a distant new year’s day in Madrid. I have never worn it, it’s too big and I’ve never had it altered for fear of ruining its original shape. I kept it because it was a gift (somehow it does not matter all that much anymore) and because in my wildest fantasies I would be a radically extravagant modern day Frida Kahlo. This type of fabulousness does not seem, however, to be in my nature.