Standing at Fearful Attention

Standing at fearful attention, we’re grateful 
to fear, which keeps us from going mad.
Decision and courage are bad
for our health; life without living is safer.

Adventurers whose adventures are history,
standing in fear we struggle against
ironic ghosts in our ongoing quest
for what we never were and won’t be.

Standing in fear with no voice of our own,
our heart ground up by our teeth, we are
the madmen, we’re our own ghosts.

A flock of sheep pursued by fear,
we live so together and so alone
that life’s meaning has disappeared.

Alexandre O’Neill (1962) , Translation: 1997, Richard Zenith

Perfilados de medo, agradecemos
o medo que nos salva da loucura.
Decisão e coragem valem menos
e a vida sem viver é mais segura.

Aventureiros já sem aventura,
perfilados de medo combatemos
irónicos fantasmas à procura
do que fomos, do que não seremos.

Perfilados de medo, sem mais voz,
o coração nos dentes oprimido,
os loucos, os fantasmas somos nós.

Rebanho pelo medo perseguido,
já vivemos tão juntos e tão sós
que da vida perdemos o sentido . . . 

© 1962, Alexandre O’Neill
From: Poesias Completas
Publisher: Assírio & Alvim, Lisbon, 2000

What I’ve failed to write

131 days ago life took a weird, sharp turn after a few months of my driving it erratically in and out of course. Because I am prone to think of my life as a movie or perhaps as a series of pilot episodes in shows that never get aired, I failed to realize that maybe real life was happening. And I have a problem with this. My mind anticipates all kinds of scenarios, dramatic dialogues and plot twists, failing to see what’s right in front of me, failing to hear Caetano‘s warning that life is after all real and skewed. I insist on other melodies, I insist on not getting tired of hoping that one day I will get to be everything.

My homeless heart
Wants to keep the world
In me

131 days ago we coincided in space and time; he told me I was making him travel, I didn’t realize he was making me come home. For once, life was not about being the rebel in a made up cause, it was not about coming up with the perfect character for the occasion, it was not about trying to be perfect, it was not about packing and going somewhere trying to find whatever is needed at the moment to feel more alive. It was about staying. I didn’t know that to stay took a special kind of courage. I have spent well over seven thousand days of my adult life being adventurously brave, going everywhere, doing everything, preferably on my own. Along the way I collected all the clichés of falling madly, deeply and foolishly in love, of getting married and divorced, of hurting and getting hurt and feeling that I have committed the worse sin my twelve years of Catholic, yet somewhat liberal, education helped me identify, I have wasted my time and have, of course, ended up being wasted by it. Staying, in the same way as getting older, is not for the faint of heart. Staying means you have to face life as it is not as you think it was meant to be.

131 days ago I begun to understand what years of fictional manipulation have done to me, how they have created the most unrealistic expectations and contributed to an almost complete emotional disarrangement. In the midst of my inability to deal with what was happening, I have read these wise words:

Your deepest beliefs about seduction were carefully crafted by high-capitalist strategists. Lust and fantasy are opiates of the masses, easily manipulated into shapes that human animals fall for, over and over again.

I have never really taken advice columns very seriously, probably because I tend to be a bit of a snob, but every single word Heather Havrilesky poured into her column of February 28, struck a chord and I understood that yes, it was really about surrendering to reality with no futile embellishments. And still, 131 days were not enough to learn that the assumptions one makes about one self and others are also created by all the nonsense around you and that they are not real. For 131 days I have promised myself, almost everyday, that I was not going to fall in that trap, I was going to let life get real because it might not be the most glamorous or exciting place to be but you have at least a chance of not seeing life disappear without getting to live it. But, self-sabotage is a powerful force, “a way of avoiding that moment of showing up, of facing potential loss, of being strong enough and courageous enough to surrender to the unknown — but also, to surrender to the goodness of ordinary human beings.” 131 days ago,  getting hurt living my fictional life was easy enough to deal with because fictional feelings tend to be overtly dramatic but shallow.

Getting hurt in real life gets you broken.

References

Caetano Veloso, O quereres, Coração Vagabundo

William Shakespeare, Richard II 

Bette Davis

Ask Polly 

Out of place

 

Homens que são como lugares mal situados
Homens que são como casas saqueadas
Que são como sítios fora dos mapas
Como pedras fora do chão
Como crianças órfãs
Homens sem fuso horário
Homens agitados sem bússola onde repousem

Homens que são como fronteiras invadidas
Que são como caminhos barricados
Homens que querem passar pelos atalhos sufocados
Homens sulfatados por todos os destinos
Desempregados das suas vidas

Homens que são como a negação das estratégias
Que são como os esconderijos dos contrabandistas
Homens encarcerados abrindo-se com facas

Homens que são como danos irreparáveis
Homens que são sobreviventes vivos
Homens que são como sítios desviados
Do lugar

Daniel Faria, Poesia

Men who are like places in the wrong place
Men who are like plundered houses
Like locations not on maps
Like stones not on the ground
Like orphaned children
Men without a time zone
Agitated men with no compass to rest on

Men who are like violated borders  
Like barricaded roads
Men who are drawn to choked pathways
Men spattered by all destinies
Laid off from their lives

Men who are like the negation of strategies
Like the hiding-places of smugglers
Incarcerated men opening themselves with knives

Men who are like irreparable damage
Men who are barely living survivors
Men who are like places wrenched
Out of place

Daniel Faria translated by Richard Zenith

 

Today I start counting days of absence because I failed to understand all the days of Being

Irrevocable condition

It has taken me half a lifetime and a little over 100 days to realize that this where I belong. Because I eventually had to come home.

Largo dos Leōes, Porto, April 2018

References

James Baldwin

From time to time a smile is turned upon us

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A smile that blinds with blitheness, overspending
Upon this gasping sightless round of fun …

Das KarussellJardin du Luxembourg, Rainer Maria Rilke

Photo: San Diego, 2014

The gliding Lethe leads her silent flood

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The souls that throng the flood

Are those to whom, by fate, are other bodies ow’d:

In Lethe’s lake they long oblivion taste,

Of future life secure, forgetful of the past.

Photo: Ponte de Lima (2017) I have spent a lot of happy and not so happy days in this place during my childhood and teenage years. A village   which is known for a legend of forgetfulness has helped me to know a little bit more of who I am.

References 

The Aeneid by Virgil

I’d rather stop

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This is not a good photo. I couldn’t get out of the car and attempt a proper photo, the letter box stands right by a traffic light and words on walls and urban equipments tend to vanish quickly, so you get them when you spot them.

Pause and reflect on the [your / mine]  path 

That’s how it reads to me. That’s what’s lacking, the time to stop and try to see the direction.

Welcome song

Here’s your Mom, here’s your Dad.
Welcome to being their flesh and blood.
Why do you look so sad?

Here’s your food, here’s your drink.
Also some thoughts, if you care to think.
Welcome to everything.

Here’s your practically clean slate.
Welcome to it, though it’s kind of late.
Welcome at any rate.

Here’s your paycheck, here’s your rent.
Money is nature’s fifth element.
Welcome to every cent.

Here’s your swarm and your huge beehive.
Welcome to that there’s roughly five
billion like you alive.

Welcome to the phone book that stars your name
Digits are democracy’s secret aim.
Welcome to your claim to fame.

Here’s your marriage, and here’s divorce.
Now that’s the order you can’t reverse.
Welcome to it; up yours.

Here’s your blade, here’s your wrist.
Welcome to playing your own terrorist;
call this your Middle East.

Here’s your mirror, your dental gleam.
Here’s an octopus in your dream.
Why do you try to scream?

Here’s your corn-cob, your TV set.
Your candidate suffering an upset.
Welcome to what he said.

Here’s your porch, see the cars pass by.
Here’s your shitting dog’s guilty eye.
Welcome to its alibi.

Here are your cicadas, then a chickadee,
the bulb’s dry tear in your lemon tea.
Welcome to infinity.

Here are your pills on the plastic tray,
Your disappointing, crisp X-ray.
You are welcome to pray.

Here’s your cemetery, a well kept glen.
Welcome to a voice that says, “Amen.”
The end of the rope, old man.

Here’s your will, and here’s a few
takers. Here’s an empty pew.
Here’s life after you.

And here are your stars which appear still keen
on shining as though you had never been.
They might have a point, old bean.

Here’s your afterlife, with no trace
of you, especially of your face.
Welcome, and call it space.

Welcome to where one cannot breathe.
This way, space resembles what’s underneath
and Saturn holds the wreath.

Joseph Brodsky

 

Enjoying Porto’s sunsets and making Monday’s poetry late again.

 

 

even though it isn’t mine

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even though I feel at home in most places I travel to, even though I can’t wait to leave, even though it now looks mostly as a theme park, I sometimes can’t help but feel that Porto  belongs to me because I belong to it.

References 

Truman Capote

Take from my palms

mon

Take from my palms, to soothe your heart,
a little honey, a little sun,
in obedience to Persephone’s bees.

You can’t untie a boat that was never moored,
nor hear a shadow in its furs,
nor  move through thick life without fear.

For us, all that’s left is kisses
tattered as the little bees
that die when they leave the hive.

Deep in the transparent night they’re still humming,
at home in the dark wood on the mountain,
in the mint and lungwort and the past.

But lay to your heart my rough gift,
this unlovely dry necklace of dead bees
that once made a sun out of honey.

Osip Mandelstam, Selected Poems

Rust and stardust

Remembrance of things past is not necessarily the remembrance of things as they were

I have spent the last couple of weeks trying to account for every month of 2017. I needed to go through all the photos in my phone to be able to do this. It seems that without them it would not have been possible for me to recall what I have lived. 2017 was not an easy year for me and for those around me. I broke someone’s heart and got badly bruised by someone else. Some sort of cosmic retribution I would say, if I was inclined to believe in a such thing.

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I don’t remember much happening in January 2017. I remember that I did not celebrate New Years, I went to bed before midnight. For the past eleven years I lived with someone who did not “believe in that sort of thing” and accommodated. I do believe in starting over, either on January 1st or whenever there is a need to do so. The best of January 2017 was hoping for something better to come along during the rest of the eleven months ahead. Daydreaming has always seemed to me another form of making plans. I did play dress up at Fatima‘s which seems to be my favourite form of therapy and was happy to find my Mozambique travel diary.

Why, what’s the matter,
That you have such a February face,
So full of frost, of storm and cloudiness?

I particularly dislike the first three months of every year. They are normally cold and grey and wet and February does feel like paradoxically long most of the times, but this one I actually remember it as being a happy month, celebrating Futurism and Almada in the voice of talented friends and art exhibitions, going back to Fatima’s for a somewhat surreal fashion shoot, having my hair cut and feeling incredibly cool and authentic as a tomboy, getting on stage for Flamenco tangos and fandangos and being busy with costumes and make up backstage.

March was also surprisingly good: Filipe Catto doing Variações, finding the life of strangers inside second-hand books, commuting in Lisbon with people that have no end, as Almada would say, those are the best people; seeing friends’ dreams come to life, Anna Karenina remixed at TNSJ (How she dies) and finally gaining momentum to read it all, page after page, without spiking details, Olivier Saillard‘s manifesto, waiting around for friends who are always late, going back in time, Macbeth’s open rehearsal and being reminded of the absolute privilege of hearing António M. Feijó

April came and it was not the cruelest month. Going away, enjoying bad habits at cool smokers lounges, arriving in Sarajevo, the sun, the snow, the coffee, new Friends, their stories, the history, the drive to Mostar, long conversations on everything and nothing, swan lake reloaded, the beauty, hanging out over drinks and photos and dance, “come what sorrow can it cannot countervail the exchange of joy”. Sarajevo might not have changed my life but has changed something inside me forever in the way I am able to relate and feel immense love for other people and to the moments we shared. Realizing I live somewhere in musical schizophrenia, absolutely loving two of the best concerts of the year between Heavy Metal and Fado, and that this actually helps. Every day.

May walked backwards: going back to the roots that sometimes still clutch, being back in Siena in great company, getting lost in museums, being silly enough to play La Niña de Fuego, going back to the music that once made sense

June chasing angels and finding them: Loft living in DTLA, getting an education at Los Feliz, unexpected gifts, falling in love with a bookstore, the kind and dapper gentlemen at Clifton’s, old school partying, the Los Angeles Athletic Club, being back at the MOCA, stars that never fade, hanging out with some of the coolest Ladies I know, feeling in heaven at the Way we Wore, feeling at home at LACMA, “The city is named for the angels, And its angels are easy to find”, on Beauty and Consolation, Shakespeare, being called Hope and the freedom of learning by heart, feeling at peace in Porto, clowning around on stage.

When to the sessions of sweet silent thought

I summon up remembrance of things past,

I sigh the lack of many a thing I sought,

And with old woes new wail my dear time’s waste:

Then can I drown an eye, unus’d to flow,

For precious friends hid in death’s dateless night,

And weep afresh love’s long since cancell’d woe,

And moan th’ expense of many a vanish’d sight;

Then can I grieve at grievances foregone,

And heavily from woe to woe tell o’er

The sad account of fore-bemoaned moan,

Which I new pay as if not paid before.

But if the while I think on thee, dear friend,

All losses are restor’d, and sorrows end.

July “I believe I read most of it with my eyes shut” Spring’s Awakening, Summer sunsets, flamingo shoes, walking on sunshine, flirting with writing machines and getting no answers, seeing the fog clear; “life is a matter of taste”.

August getting older and none the wiser: Chance encounters have consequences too, birthday surprises, finally returning to Mérida and making it to the classical theater festival, between a rock and a hard place, checking works of art walk by, music does save your mortal soul (writing letters might not). Fátima moved to Braga and I almost did as well.

September “Music melts all the separate parts of our bodies together.” Going kitsch, Being hugged by strangers, getting closer, Rosalía e Raül Refree at Theatro Circo, Revisiting Viana and more talented friends, realizing that nothing lives there anymore, Lisbon stories por buleria, reconnecting with Luis after having met in Boston, Still writing letters (with a pen), Jazz with a view, bumping into Lola Lola, Book fairs and pulp fictions, Being somewhat afraid of Virginia Woolf, meta coincidences, Being teletransported to The Zap via Ian’s syndrome, Revisiting Mr. Vertigo’s last (together) space, Being disarmed by words, bedtime stories and playlists feeling like goodnight kisses, Between lived words and word games, Street poets on the verge of insanity. Facing the truth and having it added to my pillow book.

I wasted time, and now doth time waste me

October “There is nothing in the dark that isn’t there when the lights are on.” A road trip through a black hole, Spiraling into someone else’s talent, Seeing George and Martha come to life, The apparent insight and kindness of strangers, Getting it wrong, learning where not to go, learning to let go, forgetting the door was open and letting chance walk right in (again), the Safety of favourite places and favourite people, Walls quoting Sartre, Lisbon stories, Healing noises, Wonder walks, wonder walls and the best guide in town, Black cats and English eccentrics, Bad concerts with cool friends, Reaching Point Omega, Making peace with Virginia Woolf through Orlando, “To put it in a nutshell, he was afflicted with a love of literature. It was the fatal nature of this disease to substitute a phantom for reality.” I have fallen in love with words. The ones I wanted to read, the one’s the poet on the other side knew were the right ones.

November “O bom é ser inteligente e não entender. É uma benção estranha, como ter loucura sem ser doida.” (The good thing is to be intelligent and not to understand. It’s a strange blessing, like having madness without being crazy.) In love with Josef Isräels‘ Mijmering, Stendhal syndrome episodes, Daydreaming and insomnia, Fictional love affairs through jet lag induced illusions – such is the power of words: they make you see things that aren’t there. Teenaging in Yichang, getting to know Frida who met at me at the airport wanting to know if my name really meant hope, hanging out with Cathy, Being a lucky charm, Getting Lost in translation and still feeling better than Charlotte, Tai Chi classes on airplanes, the sunset in Xangai and the sunrise in Amsterdam, Dark Porto, Lisbon stories on disappointment and being a spoiled brat, Life according to George Costanza, Flying solo, Getting it (so incredibly) wrong and trying to take the high road, Lisbon stories – the cold shoulder episode, saved by the happiness of strangers and a wise beyond her years long distance friend, Chasing walls, 3 a.m. dinners and the warmth of platonic love, Boots, Songs about boots, Good concerts with the same cool friends and some more, Drafting fictional memories, “For once the disease of reading has laid upon the system it weakens so that it falls an easy prey to that other scourge which dwells in the ink pot and festers in the quill. The wretch takes to writing. ” Flying high and falling hard: Considering emotional exile, Soap bubbles as reality filter

December “São tudo fantasias que o cinema projectou no meu olhar” (They are all fantasies that the cinema projected in my gaze): Letting someone else’s clothes and music do the talking; Being called a pearl farmer and realizing that every once in a while casting pearls to swine is no big deal; I’ll still have plenty left. The circus, moments of pure joy, remembering my Grandparents, because they were the ones who used to take me when I was a kid, Sharing heartbreak stories during the storm with a name, pretending to be Mia Wallace and then dreaming of being Vivian Rutledge, better yet, Florence Carala (there was enough mist for that), If only I was Jackie Demaistre, Facing lost possibilities, Befriending misfits while drinking coffee and talking for an hour at gas stations, Going back to the classroom and considering that I might actually enjoy teaching, Midnight strolls during Sagittarius birthdays, Playing diva with the Diva, Holly Golightly gifts for breakfast, Christmas Day at the movies, making up gangster stories at Turkish restaurants, Bumping into Pedro from school and being 9 again, ivory colored letters in real envelopes with real stamps, feeling connected while trying to disconnect, Synthesizer freaks, being Alice but not in the city, time lapsing, picking up where we left off, So many ways to be (“no olvides que solo eres real cuando tocas y te tocan“), the Clear Insight, Incredible Patience, Undivided Attention and Unconditional Love of old Friends. Braga doing more for my sanity this year than any shrink could have ever done. “And the rest is rust and stardust.”

I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don’t have complete emotions about the present, only about the past

I think this is the first time I try to write some kind of “memory”. I am not very good at describing events, everything that has happened seems to have only a translation in how places, books, movies, plays, poems, music, little details, events, actions and the words of others have made me feel. And, in 2017, most of them have hurt me deeply. This year, I celebrated New Year, for two whole days. On December 30 I went to a punk rock show and decided not to move away from the mosh pit as some sort of “shock therapy” and it felt good. I spent New Years Eve with my best friend and his family and even though we had not thought of going out, we did and danced the night away until morning. And all this might not solve anything, but just giving myself away to music makes me feel both hugged by the world and ready to restart.

The appeal of inebriating oneself.

 The appeal of the dance and of the shout,

 the appeal of the colorful ball,

 the appeal of Kant and of poetry,

 all of them . . . and none of them resolves things

 

Today (January 1st) I went back to the circus and felt like crying during Duo eMotion‘s act. Real life is never this perfect. Or beautiful. And then, sometimes it happens. I went for coffee at my favorite place in Porto and wished by favorite waiter a Happy New Year and he just called me my love and kissed me. These little details end up, in a way, making up for a lot of the mistakes and disappointments of the previous year.

Unspoken feelings are unforgettable

If you set them free by writing unnecessarily long posts they might just go away.

 

mde

References:

Vladimir Nabokov, Marcel Proust, William Shakespeare, Clarice Lispector, Virginia Woolf Anais Nin, Samuel Beckett, Carlos Drummod de Andrade, Andre Tarkovsky, António Variações, The Twilight Zone

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