Why would you walk?

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“But ballet itself – it’s important. Dance is important. It’s that language that everybody understands. It’s a powerful tool to open people’s minds. It’s some subconscious thing, a connection we all have. Kids dance before walking. It’s our truest nature of being. It’s true spirit.” He pauses. “And then, slowly and slowly, as we grow older, we get more and more baggage and life changes you. We are more scared of things, more fearful. So how to eliminate that? We have to go back to how we were as a kid, because that’s our truest nature. And with ballet, that is how I’m trying to come back to this state of mind. Because that’s the purest state. Tribes dance. Every country has a national dance. In the clubs we dance, we dance at weddings. Dance is a language. It’s a language that we need, like music, to survive.”

Sergei Polunin interview Another Man Magazine

If you could be dancing

Photo: Street Milonga in Porto (2013)

Au noir – Cinematic inspirations

Ascenseur pour l’échafaud, 1958

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Les Amants, 1958

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Les liaisons dangereuses, 1959

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La Notte, 1960

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Jules et Jim, 1962

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Eva, 1962

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La baie des anges, 1963

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Claude Mann (Jean Fournier) et Jeanne Moreau (Jackie Demaistre)

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The cliché is that life is a mountain.

You go up, reach the top and then go down.

To me, life is going up until you are burned by flames.

Life is an accomplishment and each moment has a meaning and you must use it.

Life is given to you like a flat piece of land and everything has to be done.

 I hope that when I am finished, my piece of land will be a beautiful garden, so there is a lot of work.

 

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Photos via

The Red List

Vogue UK

Classiq

New Wave Film.com

References

Like Acting and Loving, Honor suits Jeanne Moreau

 

 

 

Wrapped in butterflies

Pour M. F. 

A symbol of transformation into beauty and grace, butterflies carry a special spiritual meaning in Japanese culture as the carriers of the souls of the dead and, in that sense, as the key to unlocking the mysteries of life.

Also a symbol of womanhood and romance, the butterfly is a common motif in Japanese women’s clothing both modern and traditional such as kimonos and yukata.

Both the white butterfly as a symbol of selfless and eternal love and the black butterfly symbolizing transition, renewal, rebirth, make this faux wrap Hanae Mori silk dress one of the most elegant pieces I have owned.  I found it on eBay and remember I have waited anxiously for it to arrive, not because of the possible symbolism of the print but because of its meaning in Mori’s beautiful and feminine designs and because it evoked my first fictional style icon, Maddie Hayes. I was a big fan of Moonlighting and Maddie’s easy, soft and ethereal elegance. In my mind the beautiful silk butterfly spiral would envelop me in the same classic, womanly silky chic.

Over time you realize what you are not, and I’m not the kind of womanly woman that can carry a wrap dress or silk charmeuse pastel outfits, for that matter.

I hope this dress has reached M.F. already, I hope she was thrilled when she unwrapped it and I hope that putting it on will make her feel beautiful and true to herself.

I am true to my identity; I keep trying to be myself. I am Japanese, in Japan there is this beauty by itself which has been nurtured by tradition—fashion is an international language. What I have been trying to do is to express the wonderful beauty of Japan using international language.

Hanae Mori

Movie Inspiration of the Week – Easter parade (1948)

Costume Designers:

Irene Lentz (women)

Arlington Valles (men)

This is a somewhat obvious choice for this week because it’s Easter. Around here we do not have “Easter Parades” and there’s no tradition of Easter bonnets (which is an absolute shame). I wished we had imported this instead of Halloween. We do keep the tradition of wearing brand new clothes as a symbol of renewal and probably of remembrance of  “fast-fashion free” times. Despite the lure of new clothes and chocolate eggs, I never liked Easter, I’ve never thought about it as a time of joy. I blame this on the nuns at school and the suffocating weight of tradition in Catholic countries.

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Easter Parade is not one of the movies shown around here on TV during Easter break, most probably because in this case Easter just serves as a context and not as a theme. Trumpeted as the “happiest musical ever made”, even if its making seems to have involved quite a lot of suffering and unhappiness), this is the perfect antidote for whatever gloomy feelings I might nurture for Easter. There are 17 Irving Berlin songs, in this movie, stunning dance routines, and a world “in which, it seems, no man leaves the house without top hat and tails; all the women, meanwhile, swan around in fabulous gowns and fantastical Easter bonnets.”

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There is Ann Miller playing Nadine ( I couldn’t help myself) who matches her outfits to her dogs (or probably the other way around).

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And there is, of course, Fred Astaire!

I’m choosing escapism for Easter!

References and Photos

Easter Parade (1948)

Must-have movie: Easter Parade (1948)

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