Why would you walk?

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“But ballet itself – it’s important. Dance is important. It’s that language that everybody understands. It’s a powerful tool to open people’s minds. It’s some subconscious thing, a connection we all have. Kids dance before walking. It’s our truest nature of being. It’s true spirit.” He pauses. “And then, slowly and slowly, as we grow older, we get more and more baggage and life changes you. We are more scared of things, more fearful. So how to eliminate that? We have to go back to how we were as a kid, because that’s our truest nature. And with ballet, that is how I’m trying to come back to this state of mind. Because that’s the purest state. Tribes dance. Every country has a national dance. In the clubs we dance, we dance at weddings. Dance is a language. It’s a language that we need, like music, to survive.”

Sergei Polunin interview Another Man Magazine

If you could be dancing

Photo: Street Milonga in Porto (2013)

Au noir – Cinematic inspirations

Ascenseur pour l’échafaud, 1958

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Les Amants, 1958

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Les liaisons dangereuses, 1959

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La Notte, 1960

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Jules et Jim, 1962

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Eva, 1962

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La baie des anges, 1963

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Claude Mann (Jean Fournier) et Jeanne Moreau (Jackie Demaistre)

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The cliché is that life is a mountain.

You go up, reach the top and then go down.

To me, life is going up until you are burned by flames.

Life is an accomplishment and each moment has a meaning and you must use it.

Life is given to you like a flat piece of land and everything has to be done.

 I hope that when I am finished, my piece of land will be a beautiful garden, so there is a lot of work.

 

jeanne

 

Photos via

The Red List

Vogue UK

Classiq

New Wave Film.com

References

Like Acting and Loving, Honor suits Jeanne Moreau

 

 

 

Wrapped in butterflies

Pour M. F. 

A symbol of transformation into beauty and grace, butterflies carry a special spiritual meaning in Japanese culture as the carriers of the souls of the dead and, in that sense, as the key to unlocking the mysteries of life.

Also a symbol of womanhood and romance, the butterfly is a common motif in Japanese women’s clothing both modern and traditional such as kimonos and yukata.

Both the white butterfly as a symbol of selfless and eternal love and the black butterfly symbolizing transition, renewal, rebirth, make this faux wrap Hanae Mori silk dress one of the most elegant pieces I have owned.  I found it on eBay and remember I have waited anxiously for it to arrive, not because of the possible symbolism of the print but because of its meaning in Mori’s beautiful and feminine designs and because it evoked my first fictional style icon, Maddie Hayes. I was a big fan of Moonlighting and Maddie’s easy, soft and ethereal elegance. In my mind the beautiful silk butterfly spiral would envelop me in the same classic, womanly silky chic.

Over time you realize what you are not, and I’m not the kind of womanly woman that can carry a wrap dress or silk charmeuse pastel outfits, for that matter.

I hope this dress has reached M.F. already, I hope she was thrilled when she unwrapped it and I hope that putting it on will make her feel beautiful and true to herself.

I am true to my identity; I keep trying to be myself. I am Japanese, in Japan there is this beauty by itself which has been nurtured by tradition—fashion is an international language. What I have been trying to do is to express the wonderful beauty of Japan using international language.

Hanae Mori

Movie Inspiration of the Week – Easter parade (1948)

Costume Designers:

Irene Lentz (women)

Arlington Valles (men)

This is a somewhat obvious choice for this week because it’s Easter. Around here we do not have “Easter Parades” and there’s no tradition of Easter bonnets (which is an absolute shame). I wished we had imported this instead of Halloween. We do keep the tradition of wearing brand new clothes as a symbol of renewal and probably of remembrance of  “fast-fashion free” times. Despite the lure of new clothes and chocolate eggs, I never liked Easter, I’ve never thought about it as a time of joy. I blame this on the nuns at school and the suffocating weight of tradition in Catholic countries.

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Easter Parade is not one of the movies shown around here on TV during Easter break, most probably because in this case Easter just serves as a context and not as a theme. Trumpeted as the “happiest musical ever made”, even if its making seems to have involved quite a lot of suffering and unhappiness), this is the perfect antidote for whatever gloomy feelings I might nurture for Easter. There are 17 Irving Berlin songs, in this movie, stunning dance routines, and a world “in which, it seems, no man leaves the house without top hat and tails; all the women, meanwhile, swan around in fabulous gowns and fantastical Easter bonnets.”

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There is Ann Miller playing Nadine ( I couldn’t help myself) who matches her outfits to her dogs (or probably the other way around).

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And there is, of course, Fred Astaire!

I’m choosing escapism for Easter!

References and Photos

Easter Parade (1948)

Must-have movie: Easter Parade (1948)

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Movie inspiration of the week – A Streetcar Named Desire (1951)

Costume Designer: Lucinda Ballard, Nominated Best Costume Design, Black-and-White (24th Academy Awards)

And so it was I entered the broken world

To trace the visionary company of love, it’s voice

An instant in the wind (I know not whither hurled)

But not for long to hold each desperate choice.

The Broken Tower” by Hart Crane

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Her appearance is incongruous to this setting. She is daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district. She is about five years older than Stella. Her delicate beauty must avoid a strong light. There is something about her uncertain manner, as well as her white clothes, that suggests a moth.

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He is of medium height, about five feet eight or nine, and strongly, compactly built. Animal joy in his being is implicit in all his movements and attitudes. Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence, dependently, but with the power and pride of a richly feathered male bird among hens.

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Look at these feathers and furs that she come here to preen herself in! What’s this here? A solid-gold dress, I believe! And this one! What is these here? Fox-pieces! Genuine fox fur-pieces, a half a mile long! Where· are your fox-pieces, Stella? Bushy snow-white ones, no less!

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Pearls! Ropes of them! What is this sister of yours, a deep-sea diver? Bracelets of solid gold, too! Where are your pearls and gold bracelets?

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Compliments to women about their looks. I’ve never met a woman that didn’t know if she was good-looking or not without being told, and some of them give themselves credit for more than they’ve got.

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The poker players–Stanley, Steve, Mitch and Pablo-wear colored shirts, solid blues, a purple, a red-and-white check, a light green, and they are men at the peak of their physical manhood, as coarse and direct and powerful as the primary colors.

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“And if God choose,

I shall but love thee better-after-death!”

Why, that’s from my favorite sonnet by Mrs. Browning!

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I can’t stand a naked light bulb, any more than I can a rude remark or a vulgar action.

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I never was hard or self-sufficient enough. When people are soft-soft people have got to shimmer and g1ow-they’ve got to put on soft colors, the colors of butterfly’ wings, and put a paper lantern over the light …it isn’t enough to be soft. You’ve got to be soft and attractive. And I-I’m fading now! I don’t know how much longer I can turn the trick.

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We danced the Varsouviana! Suddenly in the middle of the dance the boy I had married broke away from me and ranout of the casino. A few moments later-a shot!
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 What do you two think you are? A pair of queens?

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I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!

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The opposite is desire. So do you wonder? How could you possibly wonder!
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She has dragged her wardrobe trunk into the center of the bedroom. It hangs open with flowery dresses thrown across it. As the drinking and packing went on, a mood of hysterical exhilaration came into her and -she has decked herself out in a somewhat soiled and crumpled white satin evening gown and a pair of scuffed silver slippers with brilliants set in their heels. Now she is placing the rhinestone tiara on her head before the mirror of the dressing-table and murmuring excitedly as if to a ‘group of spectral admirers.

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Well, it’s a red letter night for us both. You having an oil millionaire and me having a baby.

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A cultivated woman, a woman of intelligence and breeding, can enrich a man’s life – immeasurably! I have those things to offer, and this doesn’t take them away. Physical beauty is passing. A transitory possession. But beauty of the mind and richness of the spirit and tenderness of the heart-and I have all of those things-aren’t taken away, but grow! Increase with the years! How strange that I should be called a destitute woman! When I have all of these treasures locked in my heart. I think of myself as a very, very rich woman! But I have been foolish-casting my pearls before swine!

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The hot trumpet and drums from the Four Deuces sound loudly
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He takes off his hat and now he becomes personalized. The unhuman quality goes. His voice is gentle and reassuring as he crosses to Blanche and crouches in front of her. As he speaks her name, her terror subsides a little. The lurid reflections fade from the walls, the inhuman cries and noises die out and her own hoarse crying is calmed.

Whoever you are-I have always depended on the kindness of strangers.

’In this dark march toward whatever it is we’re approaching,’ Blanche raises the flag of magic against the crushing disappointment of reality in her “worn-out Mardi Gras outfit” and the costumes are absolutely brilliant in creating this fantasy world, showing us  someone trying to survive the decay and decadence of her own life and not being able to cope with what the world has thrown at her. And that’s how a trunk full of flowery dresses and rhinestone tiaras can help you survive as long as you keep away from the brutes, maybe you’ll be able to not only tell, but also live what ought to be truth.  ( And this in no way an endorsement of post truths or a glorification of mental illness)

References and Photos

A Streetcar Named Desire BY TENNESSEE WILLIAMS – With an Introduction by the Author, Signet Books (1951)

Elia Kazan, A Streetcar Named Desire (1951). Norman N. Holland

Best Shot: “A Streetcar Named Desire”

A Madhouse In The Quarter: A STREETCAR NAMED DESIRE A Madhouse In The Quarter: A STREETCAR NAMED DESIRE

The Furniture: Decorating Madness in A Streetcar Named Desire

A Streetcar Named Desire

http://www.virtual-history.com/movie/film/2060/a-streetcar-named-desire