Leaving (for now) the Riviera Summer inspiration by means of Godard’s absurdist road movie of feelings versus ideas.
A film is like a battleground: there’s love, hate, action, violence, death. In one word: emotion
A noir movie in technicolor that follows the adventures of Ferdinand Griffon who is trying to fulfill his vast artistic plans, after losing his corporate job and Marianne Renoir the “ingénue fatale”, the epitome of easy French “girly style”.
Not to write about people’s lives anymore, but only about life—life itself. What lies in between people: space, sound, and color. I’d like to accomplish that. Joyce gave it a try, but it should be possible to do better.
A bittersweet representation of the absurd in our lives in full colour and cinemascope, Pierrot le Fou‘s self-destructive romanticism, the artistic self-consciousness, the frenetically unhinged form, the blend of emotional extravagance and cool self-mocking, the vanished boundaries between irony and sincerity and between symbol and reality is Life as loud as it gets. As an “inspiration”, for me, it goes far beyond the stylish Anna Karina whose style still resonates with designers and taste-makers worldwide. My muse in this movie is most definitely Jean-Paul Belmondo and his tragic “Yves Klein Pierrot”. No matter what, “being afraid is [still] the worst sin there is”.
As in Le Mépris and Bonjour Tristesse, the Mediterranean is again the landscape of failed aspirations and human suffering but as far as Pierrot le Fou goes, I would have to agree with Michel Cournot , “I feel no embarrassment declaring that Pierrot le fou is the most beautiful film I’ve seen in my life.”
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