Horror Vacui

The fear of the empty space, most times understood as “ridiculous to the excess”.

Fantasy, abandoned by reason, produces impossible monsters; united with it, she is the mother of the arts and the origin of marvels. Francisco Goya


Historically understood as an expression of Catholic Anti-Reformation propaganda, Baroque art is normally understood as lacking the reason and discipline associated with neoclassicism and the sophistication of more refined  mannerism styles. In the 17th century, Baroque emerges in Europe as an extravagant, impetuous reaction against religious wars, the Reformation and the Counter Reformation, The 30 Years War, economic crisis and other ills and plagues form its historical backdrop. Going beyond the balanced and orderly representation of the world, it is an aesthetic of distortion, deception, complexity, and over-elaboration:  the novel inside the novel (Don Quijote [1605 and 1615]), theater inside the theater (Hamlet [c1601]), the painting inside the painting (Velázquez’s Las Meninas [1656] ), mirrors inside mirrors, etc. An emotional response to emptiness and disenchantement.

Leonardo da Vinci’s simplicity as the ultimate sophistication has become the norm in a society overwhelmed my the amount of visual information and material possessions that seem to clutter our minds and dominate our living spaces The claustrophobic in me has tried often times to convert to the minimalist / sophisticated imperative with no success. The maximalist in me can’t resist the emotional drama, radical spirit and aesthetic vertigo of the horror vacui.

Photos (mine) San Nicolás Church in Valencia, Spain,  A Gothic structure invaded by Baroque extravaganza.

 

 

References

Radical

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