
sends a thrilling pulse through me.
References
Henry Wadsworth Longfellow
Photo: Piscina das Marés, July 2017

sends a thrilling pulse through me.
References
Henry Wadsworth Longfellow
Photo: Piscina das Marés, July 2017
To help us seek duende there is neither map nor discipline. All one knows is that it burns the blood like powdered glass, that it exhausts, that it rejects all the sweet geometry one has learned, that it breaks with all styles.
Federico Garcia Lorca
From Theory and Play ( Function ) of the Duende
Para buscar al duende no hay mapa ni ejercicio. Solo se sabe que quema la sangre como un tópico de vidrios, que agota, que rechaza toda la dulce geometría aprendida, que rompe los estilos…
Federico Garcia Lorca
It makes me realize that I will most probably not find it. I just pretend.
Photo by C.
Ascenseur pour l’échafaud, 1958

Les Amants, 1958

Les liaisons dangereuses, 1959

La Notte, 1960

Jules et Jim, 1962

Eva, 1962


La baie des anges, 1963







The cliché is that life is a mountain.
You go up, reach the top and then go down.
To me, life is going up until you are burned by flames.
Life is an accomplishment and each moment has a meaning and you must use it.
Life is given to you like a flat piece of land and everything has to be done.
I hope that when I am finished, my piece of land will be a beautiful garden, so there is a lot of work.

Photos via
References
Like Acting and Loving, Honor suits Jeanne Moreau
Narcissus
Once I was half flower, half self,
That invisible self whose absence inhabits mirrors,
That invisible flower that is always inwardly,
Groping up through us, a kind of outswelling weakness,
Yes once I was half frail, half glittering,
Continually emerging from the store of the self itself,
Always staring at rivers, always
Nodding and leaning to one side, I came gloating up,
And for a while I was half skin half breath,
For a while I was neither one thing nor another,
A waterflame, a variable man-woman of the verges,
Wearing the last self-image I was left with
Before my strenth went down down into the darkness
For the best of the year and lies crumpled
In a clot of sleep at the root of nothings all
Post inspired by Eduardo Lourenço’s interview (in Portuguese)
Photo: Me, myself and I by F.M.
Our century is so shallow, its desires scattered so widely, our knowledge so encyclopedic, that we are absolutely unable to focus our designs on any single object and hence, willy-nilly, we fragment all our works into trivia and charming toys. We have the marvellous gift of making everything insignificant.
Nikolai Gogol (1809 – 1852)

Coffee is a lot more than just a drink; it’s something happening. Not as in hip, but like an event, a place to be, but not like a location, but like somewhere within yourself. It gives you time, but not actual hours or minutes, but a chance to be, like be yourself, and have a second cup.
Gertrude Stein, Selected Writings
M. bought this dress Monday morning (my time zone) and the rest of my day was spent trying to remember what seemed to have been long forgotten.
I can’t remember the last time I wore this dress, but I am sure I wore it during a chilly evening in the summer of 1997 at a concert in Montemor‘s castle. I remember who was with me and the theory that “villages with medieval castles are always cold” but I could not remember who was playing.
Trying to dig up something that you have forgotten to remember from the pre-internet era is not always easy. I tried to google what I did remember. The same artist was also a photographer who, probably in the same year, had an installation called “I could write a book” at Galeria Zé dos Bois in Lisbon. Inspired by the famous jazz standard, specifically by Dinah Washington’s rendition of it (1955), the installation featured an unmade bed, photos and diary entries and little notes from the time the author lived, in love, in Tokyo because if someone had asked him, he could have written a book.
If they asked me, I could write a book
About the way you walk, and whisper, and look
I could write a preface
On how we met
So the world would never forget
But I did forget and, as the day progressed I felt more and more irritated at not being able to recall the name. Probably C. went with me to Lisbon so I decided to send an email explaining my quasi existential doubt of the day. He thought it was absurd and called me. He had no recollection whatsoever of such installation he most probably did go but couldn’t remember. We also saw this same guy at Labirintho, I said. Remember that? We went with another friend who got drunk and almost in trouble. Remember that? I even remember where we had parked the car and that we drove away and Cake’s Fashion Nugget was playing. He could not remember anything at all. It seems like we have done really interesting stuff together in the 90s, though.
By 8 pm I could recall some Greek connection and my Google search was “Californian musician, Greek ancestry, living in Lisbon in the 90s”. There it was an article about “the greatest Portuguese talents of the 90s”, about the great “unknown”, groundbreaking talent of Portuguese Pop/Rock and the growing popularity of Dance and Hip-Hop scenes. Finally Darin Pappas, aka Ithaka Darin Pappas aka Korvowrong and the album “Stellafly”, the most powerful and consistent national registry edited in 1997. That might help explain why I seemed to have travelled across the country to hear him even if now it doesn’t really make much sense.
But then again, C.P. Cavafy’s IthaKa is the conclusion that it’s never about getting there but always about the search, as long as you understand what the Ithakas mean.
As you set out for Ithaka
hope the voyage is a long one,
full of adventure, full of discovery.
Laistrygonians and Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians and Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.
Hope the voyage is a long one.
May there be many a summer morning when,
with what pleasure, what joy,
you come into harbors seen for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to gather stores of knowledge from their scholars.
Keep Ithaka always in your mind.
Arriving there is what you are destined for.
But do not hurry the journey at all.
Better if it lasts for years,
so you are old by the time you reach the island,
wealthy with all you have gained on the way,
not expecting Ithaka to make you rich.
Ithaka gave you the marvelous journey.
Without her you would not have set out.
She has nothing left to give you now.
And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you will have understood by then what these Ithakas mean.C.P. Cavafy, Collected Poems. Translated by Edmund Keeley and Philip Sherrard
I texted the name and sent it to C. “wtf, who remembers that” was the answer. Right.
Now, the material trigger for all this is on its way to another hemisphere and I hope it will continue to inspire random thoughts, impromptu travels, silly theories and becomes someone else’s story.
This poem had the human contribution of Ursula Andkjær Olsen, and my intervention while sort of dancing with an old book with a black question mark on the cover but, is was composed by the Turn on Literature Machine.
After a week of immersion into the depths of Electronic Literature I am none the wiser. I am left with questions.
Our phones can speak to us (just as a human would). Our home appliances can take commands (just as a human would). Our cars will be able to drive themselves (just as a human would). What does “human” even mean?
Now they are people
And I’m in awe of all the possibilities of moving within words of seeing them transform into a physical experience. But still.
References
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I’ve heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Hope is the thing with feathers (254)
Emily Dickinson, 1830 – 1886
Photo: AgitaÁgueda, Carnaval Fora de Horas
Mr. Alexandre used to work here, from 1962 until he died in 2016.
From the street, looking through the window, it doesn’t look like this place is abandoned. He might come back. Someone might come back for their bespoke suit.
If you read Portuguese, please head to Blog dos Alfaiates, Mr. Alexandre’s story is there along with other stories about other masters of elegance.
Photo: Alexandre Alfaiate, Praça Coronel Pacheco, Porto
After a nervous smartphone breakdown, the cloud has been generous enough to give me back some pieces of what it seems to have been my recent life.
References
Memory, hither come by William Blake
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore —
And then run?
Does it stink like rotten meat?
Or crust and sugar over —
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
Langston Hughes, Dream Deferred in The Panther and the Lash, May 1967
Photo: workers at cashew nut processing unit, Goa, 2016

A bridge of silver wings stretches from the dead ashes of an unforgiving nightmare
to the jeweled vision of a life started anew.
Aberjhani, The Bridge of Silver Wings (2007)
I could have chosen any of the ones in Porto, but Stari Most was the topic of conversation over coffee today. Some bridges keep you together. No matter what.
Mostar, April 2017